Multi-camera production is a traditional broadcast workflow used for large-scale live events. It’s the model for an elevated and more engaging production environment — cameras to capture multiple angles, crew, mobile units, control rooms, audio, graphics, and transmission all operating together in concert. This approach has been the backbone of live broadcast for decades, and it remains the preferred workflow for many shows that require a robust solution.
Broadcast Management Group has spent more than 20 years delivering these complex, on-site or REMI (remote) productions for networks, brands, studios, and event organizers. Whether it’s a rocket launch in the desert, a national town hall tour, a film premiere, or a major corporate event, our team designs, engineers, and staffs the complete technical ecosystem needed to capture every moment with broadcast-grade reliability.
This page outlines how BMG executes the traditional multi-camera workflow and the environments we build for complex shows.
This service is built for organizations producing high-stakes live content that requires broadcast-grade execution. BMG supports clients across industries who need multi-camera coverage, large crews, and a fully built technical ecosystem. Ideal for:
BMG supports finance, government, tech, healthcare, media, entertainment, sports, and news.
We design and deploy complete on-site control rooms and video villages tailored to the scale of your show. These can be built using BMG mobile units, flypacks, third-party production/OB trucks, or completely custom-built environments for events in unconventional spaces.
Inside these environments, we assemble all routing, switching, multiview, replay, graphics, audio mixing, comms, and engineering infrastructure needed to operate a full broadcast.
Every event requires a unique camera strategy. Our team engineers your camera plot based on the venue, creative direction, staging, and audience experience. Whether it’s a 4-camera corporate broadcast, a 10-camera movie premiere, or a 50-camera rocket launch with specialized tracking systems, we build a plan that ensures comprehensive, cinematic coverage.
Live events don’t always take place in controlled environments; they often occur in busy venues with strict schedules and technical limitations. BMG handles:
From convention centers to high-security aerospace facilities, we’ve managed the technical infrastructure for some of the most logistically complex live events in the world.
Our production management team coordinates and deploys full broadcast crews, including technical directors, replay operators, graphics operators, A1/A2 audio teams, engineers, utilities, camera operators, jib and Steadicam operators, stage managers, and more.
Union and non-union environments are managed seamlessly.
Every production requires a tailored transmission plan designed for redundancy, stability, and reach. We support:
For events requiring centralized monitoring or overflow support, your production can also connect directly into the BMG Cloud Control Center™ for additional redundancy, real-time monitoring, and QC.
While multi-camera production offers maximum physical control, many events don’t require a full on-site broadcast compound.
For clients seeking greater efficiency, lower travel, reduced crew size, faster deployments, or nationwide scalability, BMG offers an alternative workflow:
Remote Production (REMI) powered by the BMG Cloud Control Center™.
With REMI, cameras stay on-site — but everything else moves to our centralized infrastructure, allowing BMG to produce the same level of broadcast-quality output with a fraction of the on-site footprint.
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